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Use the uploaded photo as the only source for the person, their pose, their clothing, the framing and the layout of the room. Keep the person entirely photographic: the same face, skin tone, hair, expression, gesture, clothing and accessories, realistically lit, with natural skin and fabric detail. Do not redraw them, do not restyle them and do not move them — the crop, camera angle, subject scale and position stay exactly as in the source, and anything they are holding or using stays photographic too. Replace everything around them with a warm off-white paper field carrying a single-colour line drawing. Redraw the walls, windows, curtains, furniture, plants, shelves, books, lamps and objects from the photo as loose simplified outlines that keep their original position, scale and relationship to each other, so the room stays recognisable, and strip out all photographic texture, shadow and colour. Draw every line in one saturated ink colour sampled from the photo and brightened to a vivid medium tone — cobalt blue if the source is mostly neutral — and never mix line colours. The stroke is a medium-thick felt-tip or ballpoint: visible wobble, uneven pressure, crooked joins, blunt ends, small overruns, drawn confidently in one pass, never thin technical linework or smooth vector curves. Reduce each object to a few strokes, leave large areas of paper blank, and let the real person overlap the drawn forms. No shading, no fill, no gradients, no hatching and no cast shadows. A photoreal figure against a naive line-drawn room, editorial mixed media. No text, no logo and no watermark.