Dark Persian Romantic Metal, raw, wounded, rebellious and deeply heartbroken. Authentic Iranian classical female vocal with a dark, traditional Persian avaz phrasing and expressive tahrir. Begin with lonely ney, kamancheh and a fragile low vocal; gradually erupt into crushing distorted guitars, heavy drums, dark orchestral strings and dramatic rhythmic accents. Alternate intimate, sorrowful Persian singing with fierce, almost shouted emotional climaxes. The aggression must feel like a wounded lover confronting fate, betrayal and unbearable longing. Preserve Persian poetic meter, diction and melodic authenticity; let the vocal lead the music. Explosive choruses, haunting instrumental breaks, sudden drops into silence, then overwhelming emotional crescendos. Brutal yet beautiful, romantic yet defiant, tragic and human. No generic growling, no death metal vocals, no pop hooks, no cheerful melodies. [Intro — Lonely ney, low kamancheh, distant thunder, fragile male Persian avaz] ْشامِ هِجرانِ تُ تَشریفْ بِه هَرْ جا بِبَرَد دَرْ پَسْ و پیشِ هزارانْ شَبِ یَلداْ بِبَرَد [Verse 1 — Restrained sorrow, gradually building guitars] دودِ آتَشکَدِهْ اَزْ کُلبِه ی عاشِقْ خیْزَد گَرْ بِه کاشانِه ی خُدْ! آتَشِ مْوسا بِبَرَد ْمی جَهَدْ بَرقِ جَمالی کِهْ دَهَدْ اَجْرِ فِراق کیست تا مُژدِه بِه یَعْقوبْ و زُلِیخا بِبَرَد [Chorus 1 — Sudden heavy guitars, forceful drums, wounded defiance] ْعِشقْ چْون بَر سَرِ کَسْ حَمْلِه ی بیدادْ آرَد اَوَلَشْ قُوَّتِ بُگْریختَنْ اَزْ پا بِبَرَد ْهَرْکِرا بَرْ دَرِ نازُکْ بَدَنانْ خانَدْ عِشْق دِلْ و جانیْ کِه بُوَد زاهَنْ و خارا بِبَرَد [Verse 2 — Darker, more confrontational, relentless emotional tension] آنکِه سودْ سَرِ بازارِ مُحَبَّتْ خاهَد بایَدْ آنجا هَمهْ سَرمایهِ ی سُدا بِبَرَد دَرْ بِرو! بازْ زَنَم بی رُخِ اوْ رِضوانْ را گَرْ بِه گُلزارِ بِهِشتَمْ بِه تَماشا بِبَرَد [Chorus 2 — Repeat exactly, heavier and more explosive] ْعِشقْ چْون بَر سَرِ کَسْ حَمْلِه ی بیدادْ آرَد اَوَلَشْ قُوَّتِ بُگْریختَنْ اَزْ پا بِبَرَد ْهَرْکِرا بَرْ دَرِ نازُکْ بَدَنانْ خانَدْ عِشْق دِلْ و جانیْ کِه بُوَد زاهَنْ و خارا بِبَرَد [Bridge — Sudden drop, exposed voice, haunting kamancheh] نَدَهَدْ طُوفِ صَنَمخانِه بِه صَدْ حَجْ قَبْول شِیخِ صَنعانْ کِه دِلَشْ را بُتِ تَرسا بِبَرَد [Final Climax — Crushing guitars, orchestral surge, anguished high vocal peak] ْبا چُنینْ دَردْ کِه وَحشیْ بِه دُعا می طَلَبَد بایَدَشْ کُشتْ اَگرْ نامِ مُداوا بِبَرَد [Outro — Instruments collapse into a low drone; broken voice, one final Persian tahrir, silence]